As you know, I am working through the process of displaying my work and I’ve pretty much landed on handmade books and boxes. One of the things that I have discovered along the way, that has been quite interesting, is other people’s reactions to these items. The images that get put in the boxes really need to be either all landscape or all portrait. I am not a fan of a horizontal images on a vertical piece of paper, and I’ve noticed people ‘fumble’ with images that are of a different orientation as they flip thru the stack. This is true for books; all images the same direction. The problem with my books, however, is different; I have completely neglected to identify the front of the book! I have figured out printing, covering, binding. Everything but the cover. This results in people, 9 times out of 10, starting upside down and backwards. Sigh.
My instructor, Russell Phillips and I brainstormed a bit about this last night. He had a couple of ideas of which this one is the one I am going with….emboss the cover. This means cutting out a square on the cover of the book and peeling out the cardboard layer within it. This leaves a small indention that, once covered with paper, looks really nice. Russell thought it might be cool to make the square about an inch big and put a stamp sized image in it. Below is a scrap piece of cardboard where I cut out the cardboard and covered with paper. Looks pretty cool!
As for the class assignment; I am half way done. The box and images for the box are completed. I do need to trim down the sheets so that they are all the same size. The image order for the book is just about done. I need to swap out one image (or add one) to break up all the architecture images. I should be able to get all of this completed within the next three weeks – just in time for a portfolio review with Mary Virginia Swanson.
…books! Not only am I making boxes to present my images, I am attempting another binding method. As you might remember, I have done Japanese Stab binding and Accordion binding. I am now trying Coptic binding. This is a binding that allows a number of signatures and a front and back cover but no spine. Here’s a link to the tutorial I followed: http://www.tortagialla.com/2010/08/16/chain-or-coptic-stitch-bookbinding-tutorial/
It’s very easy to do. I struggled a bit with a straight needle on my prototype so a curved needle for a larger attempt would make this much, much easier. What’s really nice about this type of binding is the fact that it lays flat – something that is important when displaying my work.
I started a portfolio class at the beginning of january. the goal of the class is to end up with an appropriate portfolio of my work for gallerys, or publication, or something. Everyone in the class is to come up with their own plan and strategy for accomplishing what they want to do with their work.
I am in a position where I am taking these photography classes for fun. I am not looking for a job after I ‘graduate’ – I am simply looking to learn and have fun. My goal for this course is to do two different portfolio presentations; print a larger set of column images in a bound book, and to print loose images presented in a hand made box.
I learned a lot while doing the extended project last semester. The accordion books turned out great, but the stab bound book covers have a tendency to snap off. I needed to figure out a better way to bind. I am going to attempt to do a post bound book. I made one as a prototype. This kit book has about 24 pre-cut pages, book board for the cover, and posts to hold it all together. It’s a much more sturdy book than my prior attempts.
My second project will be to create larger images of my trips to Italy. These will probably be 5×7 images in a hand made box. I have made two sample boxes; a Japanese folding box and a drop spine box.
The Japanese folding box was fun – and took most of the day. I found a kit of pre-cut cut board and instructions at Blick’s. The paper I made – well, I bought some nice paper, a gold ink pad, and a stamp of writing. The inside has blue book cloth. What’s cool about this type of box is that it opens up flat.
This box design does need a little tweaking in both the size of the pieces and the construction since it doesn’t quite fit together all that well. I’ll be working on both over the next week or so.
The drop spine box, while very nice and has it’s uses, is probably not appropriate for what I want to do. This is a good box for storing small items, but it would be somewhat clumsy for storing flat prints and presenting them.
Semester is over and I did complete ALL the books I set out to do. 15 total book, 5 of each series. It was a LOT of work. And I learned a lot about printing and book making:
my Japanese Stab bound books had way too many pages and the covers I used were way too heavy. A number of the covers have already broken. My mom, who is a quilter and has dreams on how to fix things, has come up with a number of alternatives to the cover that I used.
the accordion books, which is a much easier binding, needs to be more carefully constructed. Because my images were not all on one sheet of paper, I had to glue 6 sheet together to make the final book. If I continue to do this type of binding (which is highly likely) I’ll need to put together some sort of frame to keep the entire strip of images even and straight. I wasn’t that careful on my original accordions so that some of them have a strange ‘twist’ to them.
Practice makes perfect. My next class is Portfolio Presentation. Starts on Wednesday.
Time marches on and I am making really good progress on my project. Two books are about 90% done. I made the ‘mistake’ of running them by my friend Jeff and he suggested adding a colophon. Not knowing what that was he explained it to me…http://en.wikipedia.org/wiki/Colophon_(publishing)
Each book will now have this as the last page. Here is what the text on this page will look like:
ColophonAll images are contact printed from digital
negatives using the kallitype process and
gold toned on 310gsm Arches Platine paper.
Images have been coated with Renaissance
Cover Font: Zapfino
Colophon Font: Zapfino and Cochin
Binding: Accordion, book board with
Batik Floating Flowers on Black Fine Paper
Images, printing, and binding:
Amanda Dussault 2011
Book 1 of 3
For those that are keeping track, yes, I am committing myself to making 5 editions of these books. 5 X 3 = 15 total books. Could it be that some of you will get some super cool Christmas presents??
My instructor, Gayle, also took a look and commented on both my choice of images and the ordering and made some really good suggestions.
What all this means is I need to reprint the accordion book of columns to add an additional page and rework the ordering just a bit. Because the accordion can be looked at two ways – as a book or as one long string of images – I need to make sure that image order works for both.
The Japanese Stab bound book of trees will also get a colophon added as well as having one or two images replaced and the ordering tinkered with.
I have a lot of work ahead of me…
I am not quite sure how it started; me photographing column bases. Visiting Italy probably has something to do with it. Italy, with all its beautiful architecture and history, has lovely, lovely columns. They are everywhere and I simply love them.
Chicago, Ottawa, Utica, Naperville; have fantastic columns – I am on the look out to photograph them all. Below are the images I will use in the accordion book portion of my project. I would love some input from you – what works, what doesn’t. Do you like the order or should I switch it up?
I do have a number of alternate columns that I could use if any of these don’t quite fit. I am looking forward to your feedback!
Trees are cool. I could sit and watch the play of light and shadow within a tree all day long.
A lot of these images were taken while walking the dogs. I live in an older neighborhood with tons of mature trees (not so nice in the fall…) so many of these are close to my home. It’s a challenge to photograph anything with two Labradors looking for the next great smell…
If anyone has any comments I would welcome them. This particular series I am planning on putting in one of the bound books. Do any of these images not work? Should I switch up the order?
Next post will be the columns planned for the accordion book.
This could very well be my last prototyping session…
The book making class taught me a binding process that won’t really work for my photography project. It did, however, teach me enough to be dangerous and able to apply what I learned to a book that will work.
My friend, Deb Ingebretsen, suggested this: Japanese Stab Binding I tried it and it turned out beautifully. The hardest part of this (besides threading the needle!) was pulling the needle thru the thickness of the book. Using a drill to make the holes could make this a bit easier. This binding will allow me to print images on the pages that will be the book which is something that I really want to do.
The accordion book I made a few weeks ago ended up being deconstructed. 🙂 I took the accordion portion of the book and added a hard cover to it. It’s much nicer than the plain paper cover. Figuring out a closure for this is next on the list; I have some time to figure that out.
My next posting will include some of the images I am thinking about using as content for these books. Till then…
The book making class I took was fun – it’s a gluey sticky messy process and it would be easier if I had four arms…..
I made a book and a box (see pictures). The pages of the book were pre-bound; PaperSource (where I took the class) sells these in kits. All I did was put a hard cover on it. There is quite a selection of papers to use and the combinations are endless.
Applying this process to my images is going to be a lot of work. First of all, I would need to continue taking classes since the size I want to make the book isn’t standard. I would need to learn how to bind the pages together (glue or stitching). I am not sure I really have time for that right now seeing I have about 10 weeks left in the semester and a boat load of images to print.
I talked to the women teaching the class (how nice it is to be the only student today!) and she gave me another idea for my books that might actually work. There is a machine that will punch holes and you bind the book with a wire (similar to how a calendar is bound; see this link: machine). I would print the images on the pages, make the front and back covers, then wire them together – or use ribbon, twine, whatever.
Now, guess what everyone is getting for Christmas presents this year?